The Default State Is Broken

Just in case you thought that all of these reviews were going to be positive, I'll just warn you now: they're not. This movie was a waste of my time. There was exactly one part of this movie that I enjoyed, and that was the relationship between Doctors Isaacs and Ogun, and one of these characters doesn't have a first name . Also, not like this is an actual spoiler, but their relationship doesn't last through the end of the movie (one of them dies). My time would have been better spent had a repeatedly closed my hand in a door for two hours. This movie is not just willfully dumb, but it assumes that it's audience is as stupid as it is. It was a good thing I had work to do or I might have swallowed my own tongue just to get away from this movie. And it wasn't even in the "so bad it's good" territory (which I would debate doesn't actually exist, but there do seem to be people who enjoy bad movies for being bad, and what the hell, some people j

So the trailer for The Last Jedi  dropped today, since it's Star Wars Celebration weekend. And it got me thinking seriously about my favourite little corner of the Star Wars (possible) continuity, the idea of the (historically heretical) concept of the Living Force. Sidenote: Me, to Jean: have I mentioned my ideas behind the Liv-- Jean: YEEEEESSSSSS . For those (three) of you whom I haven't talked to about this: in the Old Republic series of games (most strongly in the Imperial-side stories of the Star Wars: the Old Republic MMO), they talk about the idea that the Force, far from being a mystical inchoate field, has a will and a mind of its own, and gives direction to those who know and believe in it, and trust in the Force. A careful (read: crazy-ass nerd) watch of the prequels also seems to indicate that Qui-Gon is a believer in the Living Force... his disagreements with the Council and his willingness to bend the moral compass he's ostensibly following in the ser

I want to talk about Arrival and how amazing it is as a story, but before that, I have to talk about how amazing it is as a film and how amazing it is that the film got made exactly how it got made. Arrival is based on a short story, "Story of Your Life", by Ted Chiang. It's a short story about a woman linguist who handles a first-contact situation without guns or explosions or lasers or really anything science-fiction-y. Just a woman and her colleagues talking (and talking about language). No man takes over from her, no conflict is spurred by her relationship with anyone, nothing weird or strange. So in that, the short story itself is rather odd and special. Special because it is a fundamentally beautiful story, exceptionally well-written, clear and gorgeous and worth reading even on it's own. But I'm not sure you should read it without seeing the movie first, because the movie is amazing in its faithfulness to the story. And that, in and of itself, is remark

I put a crap-ton of playtime into the latest entry in the Mass Effect universe. It's explicitly NOT a sequel; it is a separate game with a separate timeline set in the same universe, but much removed from the events of ME 1-3. But it still leverages the same basic design philosophy as the other ME games: storytelling is more important than "innovative" gameplay, character relationships are a big part of the reason for playing, and driving an indestructible truck with handling like a beached whale across landscapes that feel like they were generated by an Amiga 2000 running Video Toaster is not just enjoyable but hilariously fun. The gameplay is basically what you'd expect from ME: three-person active squad moving through a (mostly) linear map and shooting things with the various loadouts determined at the beginning of the mission, and while you're there you might as well wander around the edges of the maps looking for things to "press Y to interact" w

Since my partner is out of town, that often means that I have real trouble sleeping. I've been doing OK up until last night, but I didn't get a wink of sleep so I binge-watched Season 1 of a show called Wynona Earp  on Netflix. Because why not? Woman lead, gunslinging, silly premise, and a good soundtrack will usually get me to watch at least the pilot, so I figured what the hell, I'm not sleeping anyway... The premise is re-donk-ulous: Wyatt Earp, just before he died, was cursed and that meant the progeny of the Earp bloodline were doomed to kill (or try and kill) the 77 men whose souls would be resurrected again and again until the heir could return them all to Hell without dying themselves. Oh, and also there's a secret agency tasked with protecting the general public against the supernatural. Oh, and also there's a spell that means that the Earp line (and the "remnants" with whom they battle) can't leave a specific part of the West, Oh, and also,