#RPGaDay 2017 -- Day 16

Which RPG do you enjoy using as is?

I actually am less interested in house-ruling stuff these days; I want games that work "out-of-the-box" because I don't feel like doing a lot of work these days. So these days I mostly just stick to using RPGs as-is with generally everything. But my favourites (right now; this may change tomorrow) are Fate, Savage Worlds, and Cortex. Fast, simple, narratively-driven, involving lots of player buy-in and participation, and not a lot of work for the GM.

What about you?

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So that happened.

I couldn't resist, and didn't really want to. So I bought an iPad. First Gen, but they're on significant sale right now, so I can use this one until July or august, when I'll buy an iPad2 and give this one to someone else. I named it "conspicuous consumption" because it seemed like truth in advertising. FYI, this blog post is coming from inside the tablet!

The default state of technology is broken.

Score one for DRM making me a pirate. I had bought a blu-ray player for my new computer so I could watch hi-def movies on my entertainment-center projector. Apparently, despite paying extra for the hardware, I needed software to play the blurays. OK, fine, I said, and the person who helped me build the machine downloaded some software that would play the blurays. Then, tonight, I went to watch my copy of Inception, and it played for 4 minutes, at which point the software stopped working and insisted that the bluray disc wasn't valid, unless I ponied up $60 (59.95, 25% off for the new year!) to "upgrade" to the latest, licensed version of the software. So, not only did I have to pay extra for the hardware, and extra for the media, I now have to pay extra for the software. Pardon my language, but FUCK THAT SHIT. So, now I'm working on finding a less-expensive way to watch the movie (well, actually, the extra content) that I ALREADY BOUGHT. I've also uninstalled th

Occasional Media Consumption: Swordheart, by T. Kingfisher.

I'm not sure how to say what I want to say without saying it wrong. I don't think I have been this excited for a new author's work since I was in the rapid process of discovering and then chewing through the back catalog of C.J. Cherryh, who at that point had just published Foreigner and grabbed me by my whiskers and screamed (metaphorically) "Look! Here is an author whose style of prose and choice of character speaks directly and entirely to you!" Or that moment in my high school years when I stumbled upon Melissa Scott's Trouble and Her Friends and I suddenly knew, with a certainty that has still not yet left me, that I wanted to be a part of the future (and the culture) of technology. And yet that's not fair, because T. Kingfisher, nee Ursula Vernon, is her own writer, her own voice, her own authorial person, and doesn't deserve to be compared to others. To say that Kingfisher's prose style and choice of genre (which is to say, a

The Default State Is Broken

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